The Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet (1842-1912). Originally written for solo violin, orchestra, and backstage chorus, it serves as an instrumental entr’acte performed between the scenes of Act II. Composed in D Major, the piece begins with a brief introduction, followed by the solo violin’s entrance with the main motif. Massenet’s religious intentions may be reflected in the piece’s tempo marking, Andante religioso, which suggests it should be played with a reverent, spiritual quality.
Story
The opera Thaïs tells the story of Athanaël, a Cenobite monk, and Thaïs, a beautiful courtesan devoted to Venus. Athanaël confronts Thaïs, urging her to abandon her life of luxury and indulgence to seek salvation through faith in God. The Méditation accompanies a pivotal moment of transformation as Thaïs reflects on her life. Following the music, she decides to renounce her hedonistic ways and follow Athanaël into the desert. Tragically, the story concludes with Athanaël realizing his own love and physical desire for Thaïs, only to return to Alexandria and find her dead. His confession of love falls on unhearing ears.
Legacy
Renowned for its exquisite beauty and emotional depth, the Méditation has become one of the most celebrated encore pieces in the classical repertoire. Its sublime melody, crafted with extraordinary delicacy, has earned it a place beyond the opera stage. Originally written for solo violin and orchestra, it has been arranged for countless instruments, a testament to its enduring charm and universal appeal.
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