“Wie Melodien zieht es mir” (Op. 105, No. 1) is a song composed by Johannes Brahms (1833–1897), set to a poem by Klaus Groth. Written in 1886, the title translates to “It moves like a melody,” reflecting the poem’s exploration of the elusive nature of artistic inspiration and expression.
The lyrics convey how thoughts and feelings resemble melodies that gently pass through the mind, blossoming like spring flowers and drifting away like fragrance. However, when one attempts to capture these sensations in words, they become pale and fade like mist. Despite this, a subtle essence remains within the poetry, which can be perceived by a sensitive observer.
Brahms’s musical setting mirrors this introspective theme through a tender and lyrical melody, embodying the transient beauty described in Groth’s poem. The song is noted for its delicate expression and has become one of Brahms’s most cherished lieder. Interestingly, Brahms later incorporated the principal melody of “Wie Melodien” into the second subject of the first movement of his Violin Sonata No. 2 in A major, Op. 100, composed in the same year. This cross-referencing highlights the significance of the melody within his oeuvre.
“Wie Melodien” is the first in a collection of five songs (Fünf Lieder), Op. 105, each set to texts by different poets. These songs were composed between 1886 and 1888 and published together in 1888. Brahms took great care in selecting and grouping his songs, often referring to them as “bouquets,” indicating his intention for them to be appreciated as cohesive sets rather than isolated pieces.
The version performed at Museuphoria Nights is a transcription for cello and piano made by Christophor Miroshnikov, with the cello perfectly imitating the voice while preserving the piece’s introspective beauty. Its seamless fusion of text and music continues to resonate with audiences, making it a staple in the art song repertoire.
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